wocinsolidarity:


Attanya: #WeNeedDiverseBooks because I love science fiction and fantasy books, but I’m tired of authors treating dragons and robots and magic as more plausible than black and brown characters
Jennifer: #WeNeedDiverseBooks because… when I was 13 a white girl told me it was selfishthat all of the protagonists in my stories were Latina because she “just can’t relate to nonwhite characters.” She made me feel guilty for writing about people like me. 
Aiesha: #WeNeedDiverseBooks because…Black Girls are more than sidekicks or “sassy, ghetto friend”

Facts and Figures About Race/Ethnicity in YA and Children’s Lit:
88% of the books on the 2013 Publisher’s Weekly YA Bestsellers were about white protagonists
93% of the authors on the 2013 Publisher’s Weekly YA Bestsellers were white authors
85% of the books on the 2014 Young Adult Library Services Association’s Best Fiction for Young Adults list were about white protagonists 
90% of the authors on the 2014 Young Adult Library Services Association’s Best Fiction for Young Adults list were white authors
91% of the authors on the 2013 New York Times’s Bestseller Lists for YA and Children’s Lit were white authors. 
According to the 2012 Cooperative Children’s Book Center, only 3.3% of books were about African-American protagonists; only 2.1% were about Asian and Pacific Islander protagonists; only 1.5% were about Latinx protagonists; and only 0.6% were about Native American protagonists. That means over 90% of children’s books surveyed were about white protagonists.
#WENEEDDIVERSEBOOKS
Posting this a little late, but followers please take the time out to check out this post explaining the #WeNeedDiverseBooks campaign and more events to come over the next few days! 
Zoom Info
wocinsolidarity:


Attanya: #WeNeedDiverseBooks because I love science fiction and fantasy books, but I’m tired of authors treating dragons and robots and magic as more plausible than black and brown characters
Jennifer: #WeNeedDiverseBooks because… when I was 13 a white girl told me it was selfishthat all of the protagonists in my stories were Latina because she “just can’t relate to nonwhite characters.” She made me feel guilty for writing about people like me. 
Aiesha: #WeNeedDiverseBooks because…Black Girls are more than sidekicks or “sassy, ghetto friend”

Facts and Figures About Race/Ethnicity in YA and Children’s Lit:
88% of the books on the 2013 Publisher’s Weekly YA Bestsellers were about white protagonists
93% of the authors on the 2013 Publisher’s Weekly YA Bestsellers were white authors
85% of the books on the 2014 Young Adult Library Services Association’s Best Fiction for Young Adults list were about white protagonists 
90% of the authors on the 2014 Young Adult Library Services Association’s Best Fiction for Young Adults list were white authors
91% of the authors on the 2013 New York Times’s Bestseller Lists for YA and Children’s Lit were white authors. 
According to the 2012 Cooperative Children’s Book Center, only 3.3% of books were about African-American protagonists; only 2.1% were about Asian and Pacific Islander protagonists; only 1.5% were about Latinx protagonists; and only 0.6% were about Native American protagonists. That means over 90% of children’s books surveyed were about white protagonists.
#WENEEDDIVERSEBOOKS
Posting this a little late, but followers please take the time out to check out this post explaining the #WeNeedDiverseBooks campaign and more events to come over the next few days! 
Zoom Info
wocinsolidarity:


Attanya: #WeNeedDiverseBooks because I love science fiction and fantasy books, but I’m tired of authors treating dragons and robots and magic as more plausible than black and brown characters
Jennifer: #WeNeedDiverseBooks because… when I was 13 a white girl told me it was selfishthat all of the protagonists in my stories were Latina because she “just can’t relate to nonwhite characters.” She made me feel guilty for writing about people like me. 
Aiesha: #WeNeedDiverseBooks because…Black Girls are more than sidekicks or “sassy, ghetto friend”

Facts and Figures About Race/Ethnicity in YA and Children’s Lit:
88% of the books on the 2013 Publisher’s Weekly YA Bestsellers were about white protagonists
93% of the authors on the 2013 Publisher’s Weekly YA Bestsellers were white authors
85% of the books on the 2014 Young Adult Library Services Association’s Best Fiction for Young Adults list were about white protagonists 
90% of the authors on the 2014 Young Adult Library Services Association’s Best Fiction for Young Adults list were white authors
91% of the authors on the 2013 New York Times’s Bestseller Lists for YA and Children’s Lit were white authors. 
According to the 2012 Cooperative Children’s Book Center, only 3.3% of books were about African-American protagonists; only 2.1% were about Asian and Pacific Islander protagonists; only 1.5% were about Latinx protagonists; and only 0.6% were about Native American protagonists. That means over 90% of children’s books surveyed were about white protagonists.
#WENEEDDIVERSEBOOKS
Posting this a little late, but followers please take the time out to check out this post explaining the #WeNeedDiverseBooks campaign and more events to come over the next few days! 
Zoom Info

wocinsolidarity:

Attanya: #WeNeedDiverseBooks because I love science fiction and fantasy books, but I’m tired of authors treating dragons and robots and magic as more plausible than black and brown characters

Jennifer: #WeNeedDiverseBooks because… when I was 13 a white girl told me it was selfishthat all of the protagonists in my stories were Latina because she “just can’t relate to nonwhite characters.” She made me feel guilty for writing about people like me. 

Aiesha: #WeNeedDiverseBooks because…Black Girls are more than sidekicks or “sassy, ghetto friend”

Facts and Figures About Race/Ethnicity in YA and Children’s Lit:

#WENEEDDIVERSEBOOKS

Posting this a little late, but followers please take the time out to check out this post explaining the #WeNeedDiverseBooks campaign and more events to come over the next few days! 

here-lies-andalusia:

salahmah:

Chefchaouen, a small town in northern Morocco, has a rich history, beautiful natural surroundings and wonderful architecture, but what it’s most famous for are the striking and vivid blue walls of many of the buildings in its “old town” sector, or medina.
The maze-like medina sector, like those of most of the other towns in the area, features white-washed buildings with a fusion of Spanish and Moorish architecture. The brilliantly blue walls, however, seem to be unique to Chefchaouen. They are said to have been introduced to the town by Jewish refugees in 1930, who considered blue to symbolize the sky and heaven. The color caught on, and now many also believe that the blue walls serve to repel mosquitoes as well (mosquitoes dislike clear and moving water).
Whatever the reason, the town’s blue walls attract visitors who love to wander the town’s narrow streets and snap some beautiful photos. 

Blue is used in many Jewish, African and Middle-Eastern cultures as a protective color to decorate all sorts of things.
Zoom Info
here-lies-andalusia:

salahmah:

Chefchaouen, a small town in northern Morocco, has a rich history, beautiful natural surroundings and wonderful architecture, but what it’s most famous for are the striking and vivid blue walls of many of the buildings in its “old town” sector, or medina.
The maze-like medina sector, like those of most of the other towns in the area, features white-washed buildings with a fusion of Spanish and Moorish architecture. The brilliantly blue walls, however, seem to be unique to Chefchaouen. They are said to have been introduced to the town by Jewish refugees in 1930, who considered blue to symbolize the sky and heaven. The color caught on, and now many also believe that the blue walls serve to repel mosquitoes as well (mosquitoes dislike clear and moving water).
Whatever the reason, the town’s blue walls attract visitors who love to wander the town’s narrow streets and snap some beautiful photos. 

Blue is used in many Jewish, African and Middle-Eastern cultures as a protective color to decorate all sorts of things.
Zoom Info
here-lies-andalusia:

salahmah:

Chefchaouen, a small town in northern Morocco, has a rich history, beautiful natural surroundings and wonderful architecture, but what it’s most famous for are the striking and vivid blue walls of many of the buildings in its “old town” sector, or medina.
The maze-like medina sector, like those of most of the other towns in the area, features white-washed buildings with a fusion of Spanish and Moorish architecture. The brilliantly blue walls, however, seem to be unique to Chefchaouen. They are said to have been introduced to the town by Jewish refugees in 1930, who considered blue to symbolize the sky and heaven. The color caught on, and now many also believe that the blue walls serve to repel mosquitoes as well (mosquitoes dislike clear and moving water).
Whatever the reason, the town’s blue walls attract visitors who love to wander the town’s narrow streets and snap some beautiful photos. 

Blue is used in many Jewish, African and Middle-Eastern cultures as a protective color to decorate all sorts of things.
Zoom Info
here-lies-andalusia:

salahmah:

Chefchaouen, a small town in northern Morocco, has a rich history, beautiful natural surroundings and wonderful architecture, but what it’s most famous for are the striking and vivid blue walls of many of the buildings in its “old town” sector, or medina.
The maze-like medina sector, like those of most of the other towns in the area, features white-washed buildings with a fusion of Spanish and Moorish architecture. The brilliantly blue walls, however, seem to be unique to Chefchaouen. They are said to have been introduced to the town by Jewish refugees in 1930, who considered blue to symbolize the sky and heaven. The color caught on, and now many also believe that the blue walls serve to repel mosquitoes as well (mosquitoes dislike clear and moving water).
Whatever the reason, the town’s blue walls attract visitors who love to wander the town’s narrow streets and snap some beautiful photos. 

Blue is used in many Jewish, African and Middle-Eastern cultures as a protective color to decorate all sorts of things.
Zoom Info
here-lies-andalusia:

salahmah:

Chefchaouen, a small town in northern Morocco, has a rich history, beautiful natural surroundings and wonderful architecture, but what it’s most famous for are the striking and vivid blue walls of many of the buildings in its “old town” sector, or medina.
The maze-like medina sector, like those of most of the other towns in the area, features white-washed buildings with a fusion of Spanish and Moorish architecture. The brilliantly blue walls, however, seem to be unique to Chefchaouen. They are said to have been introduced to the town by Jewish refugees in 1930, who considered blue to symbolize the sky and heaven. The color caught on, and now many also believe that the blue walls serve to repel mosquitoes as well (mosquitoes dislike clear and moving water).
Whatever the reason, the town’s blue walls attract visitors who love to wander the town’s narrow streets and snap some beautiful photos. 

Blue is used in many Jewish, African and Middle-Eastern cultures as a protective color to decorate all sorts of things.
Zoom Info
here-lies-andalusia:

salahmah:

Chefchaouen, a small town in northern Morocco, has a rich history, beautiful natural surroundings and wonderful architecture, but what it’s most famous for are the striking and vivid blue walls of many of the buildings in its “old town” sector, or medina.
The maze-like medina sector, like those of most of the other towns in the area, features white-washed buildings with a fusion of Spanish and Moorish architecture. The brilliantly blue walls, however, seem to be unique to Chefchaouen. They are said to have been introduced to the town by Jewish refugees in 1930, who considered blue to symbolize the sky and heaven. The color caught on, and now many also believe that the blue walls serve to repel mosquitoes as well (mosquitoes dislike clear and moving water).
Whatever the reason, the town’s blue walls attract visitors who love to wander the town’s narrow streets and snap some beautiful photos. 

Blue is used in many Jewish, African and Middle-Eastern cultures as a protective color to decorate all sorts of things.
Zoom Info
here-lies-andalusia:

salahmah:

Chefchaouen, a small town in northern Morocco, has a rich history, beautiful natural surroundings and wonderful architecture, but what it’s most famous for are the striking and vivid blue walls of many of the buildings in its “old town” sector, or medina.
The maze-like medina sector, like those of most of the other towns in the area, features white-washed buildings with a fusion of Spanish and Moorish architecture. The brilliantly blue walls, however, seem to be unique to Chefchaouen. They are said to have been introduced to the town by Jewish refugees in 1930, who considered blue to symbolize the sky and heaven. The color caught on, and now many also believe that the blue walls serve to repel mosquitoes as well (mosquitoes dislike clear and moving water).
Whatever the reason, the town’s blue walls attract visitors who love to wander the town’s narrow streets and snap some beautiful photos. 

Blue is used in many Jewish, African and Middle-Eastern cultures as a protective color to decorate all sorts of things.
Zoom Info
here-lies-andalusia:

salahmah:

Chefchaouen, a small town in northern Morocco, has a rich history, beautiful natural surroundings and wonderful architecture, but what it’s most famous for are the striking and vivid blue walls of many of the buildings in its “old town” sector, or medina.
The maze-like medina sector, like those of most of the other towns in the area, features white-washed buildings with a fusion of Spanish and Moorish architecture. The brilliantly blue walls, however, seem to be unique to Chefchaouen. They are said to have been introduced to the town by Jewish refugees in 1930, who considered blue to symbolize the sky and heaven. The color caught on, and now many also believe that the blue walls serve to repel mosquitoes as well (mosquitoes dislike clear and moving water).
Whatever the reason, the town’s blue walls attract visitors who love to wander the town’s narrow streets and snap some beautiful photos. 

Blue is used in many Jewish, African and Middle-Eastern cultures as a protective color to decorate all sorts of things.
Zoom Info
here-lies-andalusia:

salahmah:

Chefchaouen, a small town in northern Morocco, has a rich history, beautiful natural surroundings and wonderful architecture, but what it’s most famous for are the striking and vivid blue walls of many of the buildings in its “old town” sector, or medina.
The maze-like medina sector, like those of most of the other towns in the area, features white-washed buildings with a fusion of Spanish and Moorish architecture. The brilliantly blue walls, however, seem to be unique to Chefchaouen. They are said to have been introduced to the town by Jewish refugees in 1930, who considered blue to symbolize the sky and heaven. The color caught on, and now many also believe that the blue walls serve to repel mosquitoes as well (mosquitoes dislike clear and moving water).
Whatever the reason, the town’s blue walls attract visitors who love to wander the town’s narrow streets and snap some beautiful photos. 

Blue is used in many Jewish, African and Middle-Eastern cultures as a protective color to decorate all sorts of things.
Zoom Info
here-lies-andalusia:

salahmah:

Chefchaouen, a small town in northern Morocco, has a rich history, beautiful natural surroundings and wonderful architecture, but what it’s most famous for are the striking and vivid blue walls of many of the buildings in its “old town” sector, or medina.
The maze-like medina sector, like those of most of the other towns in the area, features white-washed buildings with a fusion of Spanish and Moorish architecture. The brilliantly blue walls, however, seem to be unique to Chefchaouen. They are said to have been introduced to the town by Jewish refugees in 1930, who considered blue to symbolize the sky and heaven. The color caught on, and now many also believe that the blue walls serve to repel mosquitoes as well (mosquitoes dislike clear and moving water).
Whatever the reason, the town’s blue walls attract visitors who love to wander the town’s narrow streets and snap some beautiful photos. 

Blue is used in many Jewish, African and Middle-Eastern cultures as a protective color to decorate all sorts of things.
Zoom Info

here-lies-andalusia:

salahmah:

Chefchaouen, a small town in northern Morocco, has a rich history, beautiful natural surroundings and wonderful architecture, but what it’s most famous for are the striking and vivid blue walls of many of the buildings in its “old town” sector, or medina.

The maze-like medina sector, like those of most of the other towns in the area, features white-washed buildings with a fusion of Spanish and Moorish architecture. The brilliantly blue walls, however, seem to be unique to Chefchaouen. They are said to have been introduced to the town by Jewish refugees in 1930, who considered blue to symbolize the sky and heaven. The color caught on, and now many also believe that the blue walls serve to repel mosquitoes as well (mosquitoes dislike clear and moving water).

Whatever the reason, the town’s blue walls attract visitors who love to wander the town’s narrow streets and snap some beautiful photos. 

Blue is used in many Jewish, African and Middle-Eastern cultures as a protective color to decorate all sorts of things.

illusions-of-allusions:

our words walk across a loosely tethered tightrope
confessions spill out into the open airwaves
I am bound and fragmented to a room
plagued with distance, growing desolate
awaiting the comfort of a soft voice
from a girl who must have been the wind
in her past life. 

asylum-art:

As close to heaven – Conrad Jon Godly Paintings


Just stumbled upon these incredible abstract paintings of mountains and five minutes later had bought Conrad Jon Godly ’s book Works + -
Perhaps it’s just my insatiable appetite for mountains but these images really speak to me, and I’m going to do everything I can to have one hanging near my fireplace with 1 year. 
Based in Switzerland around Chur , one would assume the artist has plenty of subjects to choose from, but rather chooses to paint abstractly, rather than subjectively.

 , 
Zoom Info
asylum-art:

As close to heaven – Conrad Jon Godly Paintings


Just stumbled upon these incredible abstract paintings of mountains and five minutes later had bought Conrad Jon Godly ’s book Works + -
Perhaps it’s just my insatiable appetite for mountains but these images really speak to me, and I’m going to do everything I can to have one hanging near my fireplace with 1 year. 
Based in Switzerland around Chur , one would assume the artist has plenty of subjects to choose from, but rather chooses to paint abstractly, rather than subjectively.

 , 
Zoom Info
asylum-art:

As close to heaven – Conrad Jon Godly Paintings


Just stumbled upon these incredible abstract paintings of mountains and five minutes later had bought Conrad Jon Godly ’s book Works + -
Perhaps it’s just my insatiable appetite for mountains but these images really speak to me, and I’m going to do everything I can to have one hanging near my fireplace with 1 year. 
Based in Switzerland around Chur , one would assume the artist has plenty of subjects to choose from, but rather chooses to paint abstractly, rather than subjectively.

 , 
Zoom Info
asylum-art:

As close to heaven – Conrad Jon Godly Paintings


Just stumbled upon these incredible abstract paintings of mountains and five minutes later had bought Conrad Jon Godly ’s book Works + -
Perhaps it’s just my insatiable appetite for mountains but these images really speak to me, and I’m going to do everything I can to have one hanging near my fireplace with 1 year. 
Based in Switzerland around Chur , one would assume the artist has plenty of subjects to choose from, but rather chooses to paint abstractly, rather than subjectively.

 , 
Zoom Info
asylum-art:

As close to heaven – Conrad Jon Godly Paintings


Just stumbled upon these incredible abstract paintings of mountains and five minutes later had bought Conrad Jon Godly ’s book Works + -
Perhaps it’s just my insatiable appetite for mountains but these images really speak to me, and I’m going to do everything I can to have one hanging near my fireplace with 1 year. 
Based in Switzerland around Chur , one would assume the artist has plenty of subjects to choose from, but rather chooses to paint abstractly, rather than subjectively.

 , 
Zoom Info
asylum-art:

As close to heaven – Conrad Jon Godly Paintings


Just stumbled upon these incredible abstract paintings of mountains and five minutes later had bought Conrad Jon Godly ’s book Works + -
Perhaps it’s just my insatiable appetite for mountains but these images really speak to me, and I’m going to do everything I can to have one hanging near my fireplace with 1 year. 
Based in Switzerland around Chur , one would assume the artist has plenty of subjects to choose from, but rather chooses to paint abstractly, rather than subjectively.

 , 
Zoom Info
asylum-art:

As close to heaven – Conrad Jon Godly Paintings


Just stumbled upon these incredible abstract paintings of mountains and five minutes later had bought Conrad Jon Godly ’s book Works + -
Perhaps it’s just my insatiable appetite for mountains but these images really speak to me, and I’m going to do everything I can to have one hanging near my fireplace with 1 year. 
Based in Switzerland around Chur , one would assume the artist has plenty of subjects to choose from, but rather chooses to paint abstractly, rather than subjectively.

 , 
Zoom Info
asylum-art:

As close to heaven – Conrad Jon Godly Paintings


Just stumbled upon these incredible abstract paintings of mountains and five minutes later had bought Conrad Jon Godly ’s book Works + -
Perhaps it’s just my insatiable appetite for mountains but these images really speak to me, and I’m going to do everything I can to have one hanging near my fireplace with 1 year. 
Based in Switzerland around Chur , one would assume the artist has plenty of subjects to choose from, but rather chooses to paint abstractly, rather than subjectively.

 , 
Zoom Info
asylum-art:

As close to heaven – Conrad Jon Godly Paintings


Just stumbled upon these incredible abstract paintings of mountains and five minutes later had bought Conrad Jon Godly ’s book Works + -
Perhaps it’s just my insatiable appetite for mountains but these images really speak to me, and I’m going to do everything I can to have one hanging near my fireplace with 1 year. 
Based in Switzerland around Chur , one would assume the artist has plenty of subjects to choose from, but rather chooses to paint abstractly, rather than subjectively.

 , 
Zoom Info

asylum-art:

As close to heaven – Conrad Jon Godly Paintings


Just stumbled upon these incredible abstract paintings of mountains and five minutes later had bought Conrad Jon Godly ’s book Works + -

Perhaps it’s just my insatiable appetite for mountains but these images really speak to me, and I’m going to do everything I can to have one hanging near my fireplace with 1 year. 

Based in Switzerland around Chur , one would assume the artist has plenty of subjects to choose from, but rather chooses to paint abstractly, rather than subjectively.

 ,